I provided all the music as a full package of titles, beds and stings, in addition to all of the sound FX used in the show. This holistic approach means the whole programme has a shared sound, and all of the elements blend with each other. As this is a gameshow first, we experimented with how the beds would work, since normally these are underscoring spoken dialogue. In the end we settled on beds with a little more interest and movement, but sticking to a traditional gameshow format. The sound set is a blend of digital and analogue synthesis, with lively FX textures of whooshes and sweeps.